Sunday, July 29, 2012

It's like opening a Christmas present and discovering you got socks

There's always this push and pull mixture of excitement and dread before you open the door of a recently fired kiln. Will your work be perfect, just the way you set it in the kiln? Will it be in tiny shattered bits all over the kiln floor and beyond repair? Will it have a few cracks? Or finally, will the cracks be enormous? There are countless other possibilities that I'm sure I'm forgetting but I'm sure you get the idea.  

Well, Momma bah didn't make it.  But, on the bright side, she should be an easy repair. 


The crack wraps all the way around her body, but it's clean and nothing shattered off. There are some big cracks that run lengthwise on either half but I should be able to fill it in with something.  I've been using wood putty but it's terrible and comes off really easily with water.  I'm open to suggestions, if you have them?


Baby bah did make it though! Hooray! I forgot to check her for small cracks, but she's solid. I was too preoccupied with analyzing Momma sheep's break.


The firing it's self went great! Slow and steady, so I don't think there's any thing I could change there.
I think if I attempt this scale again, and I likely will, I'll have to change how I build. (I don't think I said how big she was in the last post, but she's almost 5 in length).  I'll probably try firing it in two or three pieces and assemble post firing.  There's less chance for hairline fractures to get out of control that way. I think the weight of this piece and the warping created a lot of cracks I wasn't able to see.  I might even throw in a few structural supports, though I'm not so keen on them.  I'm fairly convinced they cause more cracking.  Maybe if I cut them out as part of the shell when I hollow it out, instead of inserting them after I hollow out the piece.


C'est la vie!

Saturday, July 28, 2012

June and July Studio wrap up

This has quite possibly been the busiest and most progressive summer I've ever had in the studio!  I think I'm still working off the momentum and accomplishments that I've made over the past year.  I've gotten used to just constantly being busy and I think I really enjoy it.  Ive had a few days of down time this week, while I waited for some work to dry for a bisque firing, and I actually got bored! August may not end up being time off from the studio like I planned if I'm going to be bored with nothing else to do.

What have I done? Well, first let me preface this with the fact that it takes me about 3 weeks per piece just to build. So it might not seem like a lot, but it is! Nothing has been surfaced yet, I may not get that done until August.

Below is a sculpture I actually started at the end of April but wasn't able to finish and fire  until June because of the chaos involved in setting up my BFA show and graduating, etc. The baby lamb will be scaling a fence (or something similar), so picture her vertical.  The Momma sheep's head will be mounted on a wall above and to the right of the baby lamb. I think I'm going to attempt to glaze some of the surface of this pair.


In June, I started my biggest piece yet! A full size Momma sheep that has a baby lamb as its pair.

Which obviously had some issues... I went home for the day and the next morning I found this.


After I patched it back together, I stuffed it full of dowels in a grid to help support the clay.  I also rigged up a better support for the back end, made out of bricks. Gravity and I  were at odds for several weeks.  This piece took a little more than 250LBs of clay. I mixed 3 batches for the whole project, which totals 375LBs and I used almost all of it!



Below are the pictures of Momma sheep where she is essentially fully built.  I still hadn't cut her up, hollowed her out, reassembled her and done the finishing details. But you get the basic idea.






Baby bah! She is almost finished being built in the photos below. Missing ears...


The next three photos depict how I cut the piece up.  I had intended to photograph my entire process with this piece but I forgot to get pictures of the rest of the process! I was in a rush. Next time!




The hash marks on the cut ends are so I can line up the pieces correctly when I reassemble.  I also keep each leg on a separate piece of foam and label it; BL stands for Back Left, etc. You get the idea.


Here they are! Reassembled and loaded into the kiln.  

With the help of a friend, Momma sheep made it in safely.  But I attempted to load the Baby lamb in before she was dry enough and the front legs fell off! Thankfully it was an easy repair, since she was so damp.  Lesson learned.

I fired these girls yesterday and is went great from this side of the kiln.  Tomorrow I'll open the kiln and find out if Momma sheep made it.  There are no interior supports in her body cavity and I think that may have been a mistake.  I had A LOT of issues with warping and cracking when I reassembled her.  I did view her as an experiment, since I have never made anything so big.  I've already come up with possible fixes, but lets hope I don't have to use them.

I have one week left in the studio until I've got to be packed and moved out.  I'm hoping to have time to glaze and fire the first set of sheep.  I'm going to have to cold surface the second pair.  If Momma sheep makes it, there's no way I'm risking a second firing! I probably won't get to that until August though.  I've got to convince my father to let me have some space in the basement for finishing work.  My new space at the Craft Center will be about a quarter of what it is now.

More to come!

Monday, July 2, 2012

Graduation and moving on!

Boy do I have a giant update to make!  The final few months of my Senior year were very, very busy.  Finishing up two studio based classes, sending out applications for artist residencies, setting up and taking down my BFA show AND trying to make some sort of plan for myself as a professional artist with less than no money.

Yesterday, I posted all of the images from my BFA show in May. Scroll down and have a look, there are a few new pieces there. I didn't sell anything but it was an accomplishment I never thought I'd reach.

My calf, Laura, went off to her new home a few weeks ago. I never posted about it, but I sold a few sculptures at Craft Boston! Laura, and two piglets, Amy and Emma. So yeay! I have economic validation from real life customers, haha.

The BEST news...

I GRADUATED!!!
8 years of struggle and I finally accomplished something for once in my life. It feels damn fucking good. I also graduated with honors, Magna Cum Laude!


My parents were as happy as me, maybe even more.


There's even MORE awesome news!
I was offered and accepted a year long artist in residence position at the Worcester Center for Craft!
I'll have the opportunity to teach and be a studio tech.  Most importantly, I have a studio space to work in for the next year in exchange for these duties.  Unfortunately, it means moving back in with my parents after 8 years of living on my own. They live fairly close to Worcester. BUT, it will save me money so that I can move some where new once my residency is over. 

And that's NOT ALL!
I will have gallery representation!
The owner of the Colo Colo Gallery in down town New Bedford, MA contacted me, loves my work and wants to represent me. As of right now, I have a solo show planned for November 2013.


How's that for awesome news?!
Couldn't get much better in my opinion.  I'm excited and naturally, for me any way, incredibley nervous.  
My plans for moving to Seattle have been put on hold. My new plan is to follow where ever my art takes me. I did just spend an aweful lot of time and energy to get to this point and I don't want to waste any opportunities that come my way.  
It looks like I'm starting my career as a professional artist pretty well!

Knock on wood and wish me luck ;)

Sunday, July 1, 2012

BFA Show Images

Here are the images from my BFA show in May. In no particular order because I didn't feel like trying to figure out how to load them according to any theme.


Weaned 2011

Mulesing 2012

Babies Beget Babies 2012

Laura 2011

Anna 2011





(L-R) Lacy Taylor's blue girl, Judd Schiffman's sculptures, Christine Rebhunn's Wall piece and Paul Murray's Crowns

 Panels by Gina Elizabeth Guidi

(L-R) Sara Janoff's dress, Alecia Cahill's installation, my calf, Lacy's sculpture, Judd's drawings

(L-R) Sara Janoff, my two sculptures, Lindsey Viera's giant belt, two of Lacy's sculptures, two of Denise Sokolsky's textile pieces

Far back, Sara Janoff's textile piece

Jaclyn St. Laurent's jewelry

Jaclyn St. Laurent



(L-R) Lacy Taylor, Ge Yang, my mother and me

Me with Laura

Me and my brother, Christopher Koch, who did our show website!